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In today's musical landscape, there are some adjectives and artist comparisons that get referenced far too often. "Genius" comes to mind when I think of descriptives put on many of today's performers that just aren't deserving of this title - I think the term "special" could relate to many. As far as comparisons, Nick Drake has been compared to more artists than days he lived. Another would be Jeff Magnum, a genius who decided to stop recording music at exactly the right time, years before his songs became main attractions for reproduction. What is to be learned from this "watering down" of artist inbreeding is that rarely does an artist come along who actually delivers an album deserving of mighty superlatives. A performer who can still awe you with their voice and guitar alone. Devendra Banhart is pretty fucking close. The 23 year-old singer / songcrafter has been compared to (a couple that make valid relation) Syd Barrett, Marc Bolan and Daniel Johnston. One I'll add to the list is John Fahey, a legend whose guitar style Devendra is a graduate of.
GO! Room 4 studios in Carborro, North Carolina is small, two-level venue that immediately showcases it's performers talents. The maximum "state-allowed" occupancy for the place is just under 100 - or so the fire marshall's sign says above the bar. On this evening, I would say well into 150 folks got their freak on to Devendra's performance. Part improvisational - part the man's inner child on display, Devendra and guests (including all members of Vetiver and Kevin Barker of Currituck Co.) played material from his latest album Rejoicing in the Hands as well as a few new, still extremely animal inspired tunes. What follows is an honest attempt to discuss things not important to anyone - me, you, the demons that have misplaced your mind. Careful pleasant peasant - the times they are a changin'.. ... and be you with Devendra or not, his songs are touching many.
The
book of your art ( Light Aligns ), is
that still in the works and when will it be available? I've
read that you are anxious to get back to San Francisco, is there any
particular reason you want to go back west versus New York? The
compilation for Arthur Magazine, The
Golden Apples of the Sun, how did that all come about?
Do
you enjoy interviews?
So,
from here on, we set the computer up to automatically generate a few
more questions for Devendra, kind of Magic Eight
Ball style - fun :: |

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" It's like finding home, in an old folk song that you've never ever heard, still you know every word and fo' sure can sing along" Having seen his face in way too many places, and read a few bittersweet reviews, I was prepared to pass up on Devendra Banhart. That said, since I began to allow his collection of song titled 'Rejoicing in the Hands' to enter the mind, it has owned me. Sixteen tracks of mesmerizing guitar plucking, much in the learned style of the late John Fahey (see: "Tit Smoking In the Temple of Artisan Mimicry", an instrumental that is part dedicated to the man himself) or as of recent M. Ward. As for the vocals - just when you had thought Jack White had mastered the warble of Blind Willie McTell, circa "Broke Down Engine Blues", it looks as if Devendra has a one-up on the peppermint kid ("There Was Sun"). The songs are certainly part that of a madman's doing, but they are full of charm and imagination. Captured by the bizarre imagery this album possesses is like staring into the sun, entranced by it's beauty yet unable to turn away. A keeper like "This Beard Is For Siobhan" plays like a vinyl gem rescued from any decade pre-1940, and is also one of the only "full band" tracks on the album, complete with percussion. With all the talk of Marc Bolan-this & Nick Drake-that - I don't hear the transition. Not to pass this up due to wrongful association - the Syd Barret references still hold true (see: "Insect Eyes"). If after all the hype and press you still aren't listening - Rejoicing awaits.
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